Exhibition

The Will at the Edge


There has been continuous emergence of talented fine artists in Macao amid the rapid growth of local industries since the city’s handover to China. The young artists have been unremittingly devoted themselves to creative work while coping with the pressure of urban living. Since choosing visual arts as their career, they have remained determined to live off their artistic skills despite their unusual states of existence over the years. It is as if they were maintaining their will at the edge of the city, growing through persistent creation and speaking with their works.


It is our great honor to have a group of competent local artists born after the 70s showcase their masterpieces in The Will at the Edge – Macao Invitational Youth Art Exhibition at Tap Seac Gallery. The event boasts superb and outstanding works ranging from Chinese painting, oil painting, print, calligraphy to sculpture, ceramic, installation and multi-disciplinary arts. They reflect distinctive personal styles and artistic expressions, demonstrating the contemporary perspectives and zeitgeist of local young artists. “There really is no such a thing as art. There are only artists,” wrote the renowned art historian Ernst Gombrich. We hope these artists will serve as a reference for future academics and experts studying Macao’s fine arts.


The exhibition carries significance for the small town, as it helps nurture local artistic seedlings, a better move than merely leaning on the full-grown trees from elsewhere. 


Curatorial team of Macau Youth Art Association

March, 2022


Separation
There are wildlands on one side and paved roads on the other. We have built a wall separating them. The work indicates a relationship, a conflict between cities and the wild. When the cities are occupying the land of the wild, the wild is snatching back what once belonged to it, giving us a painful reminder of the necessity to coexist peacefully with nature in the same place.
Sense of ceremony
When I saw some stones in a circle, it felt very ceremonial and somewhat artificial, which led me to the idea of arranging them myself. I visualized the gradual processes from nothing to something, gloom to brightness, and few to many. The stone symbolizes some sort of growth, and the leaf stands for decay. I want to convey the idea of the endless cycle of growth and decay.