Exhibition

The Will at the Edge


There has been continuous emergence of talented fine artists in Macao amid the rapid growth of local industries since the city’s handover to China. The young artists have been unremittingly devoted themselves to creative work while coping with the pressure of urban living. Since choosing visual arts as their career, they have remained determined to live off their artistic skills despite their unusual states of existence over the years. It is as if they were maintaining their will at the edge of the city, growing through persistent creation and speaking with their works.


It is our great honor to have a group of competent local artists born after the 70s showcase their masterpieces in The Will at the Edge – Macao Invitational Youth Art Exhibition at Tap Seac Gallery. The event boasts superb and outstanding works ranging from Chinese painting, oil painting, print, calligraphy to sculpture, ceramic, installation and multi-disciplinary arts. They reflect distinctive personal styles and artistic expressions, demonstrating the contemporary perspectives and zeitgeist of local young artists. “There really is no such a thing as art. There are only artists,” wrote the renowned art historian Ernst Gombrich. We hope these artists will serve as a reference for future academics and experts studying Macao’s fine arts.


The exhibition carries significance for the small town, as it helps nurture local artistic seedlings, a better move than merely leaning on the full-grown trees from elsewhere. 


Curatorial team of Macau Youth Art Association

March, 2022


Conventions-3
As you walk across Macao, you will find cobblestone pavements in different parts of the little town. The pavements, the food stands in Patane, the cannons on Mong Ha Hill, and the Coloane residents exposing salted fish in sunlight are what I can recall of the city in nostalgia after I left the place. ​
Conventions-2
As you walk across Macao, you will find cobblestone pavements in different parts of the little town. The pavements, the food stands in Patane, the cannons on Mong Ha Hill, and the Coloane residents exposing salted fish in sunlight are what I can recall of the city in nostalgia after I left the place. ​
Conventions-1
As you walk across Macao, you will find cobblestone pavements in different parts of the little town. The pavements, the food stands in Patane, the cannons on Mong Ha Hill, and the Coloane residents exposing salted fish in sunlight are what I can recall of the city in nostalgia after I left the place.
Specimen3
I made skeletons with well-aligned white bone shoes as a representation of the medical symptoms from wearing high heels and as a metaphor for social frameworks. The works refer to the state of a genetic desire being extracted from a human body or cut open for anatomy, the state of self-observation. They also serve as a gentle indictment against frameworks and paradigms.
Specimen2
I made skeletons with well-aligned white bone shoes as a representation of the medical symptoms from wearing high heels and as a metaphor for social frameworks. The works refer to the state of a genetic desire being extracted from a human body or cut open for anatomy, the state of self-observation. They also serve as a gentle indictment against frameworks and paradigms.
Specimen
I made skeletons with well-aligned white bone shoes as a representation of the medical symptoms from wearing high heels and as a metaphor for social frameworks. The works refer to the state of a genetic desire being extracted from a human body or cut open for anatomy, the state of self-observation. They also serve as a gentle indictment against frameworks and paradigms.
Guan Xin Ming- By Hanshan Deching
Hanshan Deching, renowned as one of the four Buddhist masters in the late Ming dynasty, gave equal weight to Buddhist doctrines and meditation. The eminent monk focused on the Huayen school of dogmas and the meditation practice leading to true enlightenment. The gatha Guan Xin Ming from him, its content being doctrinal essentials for meditation practice, addresses the involvement of body and mind in the practice and the critical importance of understanding the role of mind (the heart).
A World With No One Around
The picture contains a drawing of the Statue of Liberty inspired by an old photo and an obscured image of the Sacred Heart of Jesus. The work may keep viewers so absorbed that they feel like being in a world with no one around. The indistinct and iconic images disclose the relation between traditional belief and reality.
Faint
I need a bit of tranquility as an artist living in a city. My previous works are attempts to get some sort of quietness in the city, no matter how limited it is. There is, however, an endless amount of it in nature, where you can feel the calming energy of woods and streams. I have visited forests so many times that I feel as if their fresh air stayed in my body. Drawing on canvas from my memory of the fresh air in my studio is a process enjoyable to me.